Bruce Lee G, ‘Downtown Music Gallery’ 12/17/09

“I dig the way Jon’s guitar solo [on ‘Truncheon’] is in between styles and crafty without showing off…The guitar solo [on ‘Phoenetics’] is slow, mysterious and often mesmerizing…Lundbom writes quirky yet memorable songs that are refreshing with unexpected twists that occur before you notice them…songs that unfold in unexpected ways…There is something charming, creative and cool about this music that is not so easy to explain but it does make me smile…”

Read the full article

Dave Madden, ‘SLUG Magazine’

“Somewhere down the road from the Knitting Factory, on the outskirts of 70s stadium rock, you’ll find Jon Lundbom & Big Five Chord, a crew once again proving that jazz isn’t dead – it’s just getting started! This live recording finds the band letting loose in the city (New York), completely unrestrained and bouncing between free jazz and 60s bop masters. …the crew walks a line of structural retention and freedom from the original works that fuses a healthy dose of virtuosic improvisation with an uncanny ability to come back to center before wandering too far into the cosmos.”

Glenn Astarita, ‘All About Jazz’

“Chicago-reared and now an active participant in New York City’s improvising scene, guitarist Jon Lundbom fuses avant-garde, jazz-rock scenarios with odd-metered rhythms and more. The quintet is augmented by the twin sax attack of Bryan Murray and Jon Irabagon, whereas Lundbom occasionally puts the pedal to the metal. But there’s quite a bit of improvisational forays based upon the soloists’ interweaving lines and soaring momentum along with a cavalcade of variables. At times, the band tosses in notions of angst and shock-therapy to coincide with its semi-loud modus operandi. Fans of New York City’s wily downtown scene should welcome this outing with open arms!”

Phillip McNally, ‘Cadence’

“On the much heavier side of fusion, Jon Lundbom & Big Five Chord crank out what I have to call heavy metal Jazz on All the Pretty Ponies. This is a power 5tet with the Blues influence of Ulmer on its mind, but even when the two saxes blow fiercely out, the emphasis is on Lundbom’s scorching guitar…and at their best moments, the 5tet achieves something like a harmolodic looseness.”

Jay Collins, ‘One Final Note’

“…Lundbom is one of these players with his foot firmly in the rock camp, but with plenty of the grit of jazz to keep things interesting. With Big Five Chord, the mid-20ish Lundbom and his associates convince that fusion can mean something appetizing in the 21st Century with a seven-composition program that romps, serenades, and well, rocks… Though Lundbom is quite an instrumentalist considering his age, he isn’t out to open his hefty bag of skills with each turn… Rather, this is a group effort and his partners are more than happy to come along for the ride… Big Five Chord is further evidence that guitar-focused music can provide thoughtful, yet thrilling results and that Lundbom is off to a fine start.”